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East Ended

Af: Dougie Wallace Engelsk Hardback
SPAR
kr 93

East Ended

Af: Dougie Wallace Engelsk Hardback
Street art was once simply graffiti, a sign of decay that lowered property values. Fast forward to the transformation of London’s East End and it became cool. Seen as ‘gritty’ and ‘edgy’, street art generates interest in an area. Refashioned, and made acceptable, it transforms public space as areas become high-priced, trendy and attractive to the emerging creative class. Its ‘edge’ and sense of ‘authenticity’ become a means to speed up gentrification. Yet as property prices rise, the high cost of living forces out those artists who created the art as well as the local residents. Never was this truer than in London’s Shoreditch where these images are shot – an open-air showcase of urban art that generates considerable tourism.Graffiti now appears in galleries and museums worldwide. Artists who were once hoodied, hidden and nocturnal are out in the open, working in broad daylight from cherry-picker platforms. Commissioned by corporate brands such as Adidas and Gucci they offer creative interventions into the urban landscape, images of coolness and affluence – in murals destined to become Instagrammable propaganda. In East Ended you see every code of cool fashion and attitude, alongside scenes of poverty and people on the streets trading in anything but the cool. Gentrification has brought a numbing sameness. Yet look carefully and you’ll spot the cheeky protest posters – political critique to climate change resistance – purposefully plastered over and defacing the ads. The voice of the streets is reclaiming its walls.
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Street art was once simply graffiti, a sign of decay that lowered property values. Fast forward to the transformation of London’s East End and it became cool. Seen as ‘gritty’ and ‘edgy’, street art generates interest in an area. Refashioned, and made acceptable, it transforms public space as areas become high-priced, trendy and attractive to the emerging creative class. Its ‘edge’ and sense of ‘authenticity’ become a means to speed up gentrification. Yet as property prices rise, the high cost of living forces out those artists who created the art as well as the local residents. Never was this truer than in London’s Shoreditch where these images are shot – an open-air showcase of urban art that generates considerable tourism.Graffiti now appears in galleries and museums worldwide. Artists who were once hoodied, hidden and nocturnal are out in the open, working in broad daylight from cherry-picker platforms. Commissioned by corporate brands such as Adidas and Gucci they offer creative interventions into the urban landscape, images of coolness and affluence – in murals destined to become Instagrammable propaganda. In East Ended you see every code of cool fashion and attitude, alongside scenes of poverty and people on the streets trading in anything but the cool. Gentrification has brought a numbing sameness. Yet look carefully and you’ll spot the cheeky protest posters – political critique to climate change resistance – purposefully plastered over and defacing the ads. The voice of the streets is reclaiming its walls.
Se mere i:
Produktdetaljer
Sprog: Engelsk
Sider: 144
ISBN-13: 9781911306603
Indbinding: Hardback
Udgave:
ISBN-10: 191130660X
Kategori: Fotografer
Udg. Dato: 20 jan 2020
Længde: 21mm
Bredde: 246mm
Højde: 300mm
Forlag: Dewi Lewis Publishing
Oplagsdato: 20 jan 2020
Forfatter(e): Dougie Wallace
Forfatter(e) Dougie Wallace


Kategori Fotografer


Sprog Engelsk


Indbinding Hardback


Sider 144


Udgave


Længde 21mm


Bredde 246mm


Højde 300mm


Udg. Dato 20 jan 2020


Oplagsdato 20 jan 2020

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