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Kingdom of Beauty
Af: Kim Brandt Engelsk Paperback
SPAR
kr 38
Kingdom of Beauty
Af: Kim Brandt Engelsk Paperback
A Study of the Weatherhead East Asian Institute, Columbia University

Kingdom of Beauty
shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan became both a modern nation and an imperial world power. Kim Brandt’s account of the mingei movement locates its origins in colonial Korea, where middle-class Japanese artists and collectors discovered that imperialism offered them special opportunities to amass art objects and gain social, cultural, and even political influence. Later, mingei enthusiasts worked with (and against) other groups—such as state officials, fascist ideologues, rival folk art organizations, local artisans, newspaper and magazine editors, and department store managers—to promote their own vision of beautiful prosperity for Japan, Asia, and indeed the world. In tracing the history of mingei activism, Brandt considers not only Yanagi Muneyoshi, Hamada Shōji, Kawai Kanjirō, and other well-known leaders of the folk art movement but also the often overlooked networks of provincial intellectuals, craftspeople, marketers, and shoppers who were just as important to its success. The result of their collective efforts, she makes clear, was the transformation of a once-obscure category of pre-industrial rural artifacts into an icon of modern national style.
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A Study of the Weatherhead East Asian Institute, Columbia University

Kingdom of Beauty
shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan became both a modern nation and an imperial world power. Kim Brandt’s account of the mingei movement locates its origins in colonial Korea, where middle-class Japanese artists and collectors discovered that imperialism offered them special opportunities to amass art objects and gain social, cultural, and even political influence. Later, mingei enthusiasts worked with (and against) other groups—such as state officials, fascist ideologues, rival folk art organizations, local artisans, newspaper and magazine editors, and department store managers—to promote their own vision of beautiful prosperity for Japan, Asia, and indeed the world. In tracing the history of mingei activism, Brandt considers not only Yanagi Muneyoshi, Hamada Shōji, Kawai Kanjirō, and other well-known leaders of the folk art movement but also the often overlooked networks of provincial intellectuals, craftspeople, marketers, and shoppers who were just as important to its success. The result of their collective efforts, she makes clear, was the transformation of a once-obscure category of pre-industrial rural artifacts into an icon of modern national style.
Produktdetaljer
Sprog: Engelsk
Sider: 320
ISBN-13: 9780822340003
Indbinding: Paperback
Udgave:
ISBN-10: 0822340003
Kategori: Dekorativ kunst
Udg. Dato: 20 jul 2007
Længde: 19mm
Bredde: 153mm
Højde: 229mm
Oplagsdato: 20 jul 2007
Forfatter(e): Kim Brandt
Forfatter(e) Kim Brandt


Kategori Dekorativ kunst


Sprog Engelsk


Indbinding Paperback


Sider 320


Udgave


Længde 19mm


Bredde 153mm


Højde 229mm


Udg. Dato 20 jul 2007


Oplagsdato 20 jul 2007

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