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Practice and Theory in the Italian Renaissance Workshop

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Practice and Theory in the Italian Renaissance Workshop

Verrocchio was arguably the most important sculptor between Donatello and Michelangelo but he has seldom been treated as such in art historical literature because his achievements were quickly superseded by the artists who followed him. He was the master of Leonardo da Vinci, but he is remembered as the sulky teacher that his star pupil did not need. In this book, Christina Neilson argues that Verrocchio was one of the most experimental artists in fifteenth-century Florence, itself one of the most innovative centers of artistic production in Europe. Considering the different media in which the artist worked in dialogue with one another (sculpture, painting, and drawing), she offers an analysis of Verrocchio''s unusual methods of manufacture. Neilson shows that, for Verrocchio, making was a form of knowledge and that techniques of making can be read as systems of knowledge. By studying Verrocchio''s technical processes, she demonstrates how an artist''s theoretical commitments can be uncovered, even in the absence of a written treatise.
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Verrocchio was arguably the most important sculptor between Donatello and Michelangelo but he has seldom been treated as such in art historical literature because his achievements were quickly superseded by the artists who followed him. He was the master of Leonardo da Vinci, but he is remembered as the sulky teacher that his star pupil did not need. In this book, Christina Neilson argues that Verrocchio was one of the most experimental artists in fifteenth-century Florence, itself one of the most innovative centers of artistic production in Europe. Considering the different media in which the artist worked in dialogue with one another (sculpture, painting, and drawing), she offers an analysis of Verrocchio''s unusual methods of manufacture. Neilson shows that, for Verrocchio, making was a form of knowledge and that techniques of making can be read as systems of knowledge. By studying Verrocchio''s technical processes, she demonstrates how an artist''s theoretical commitments can be uncovered, even in the absence of a written treatise.
Produktdetaljer
Sprog: Engelsk
Sider: 362
ISBN-13: 9781107172852
Indbinding: Hardback
Udgave:
ISBN-10: 1107172853
Udg. Dato: 18 jul 2019
Længde: 23mm
Bredde: 187mm
Højde: 261mm
Forlag: Cambridge University Press
Oplagsdato: 18 jul 2019
Forfatter(e) Christina (Oberlin College Neilson, Christina Neilson


Kategori Billedhuggerkunst. Skulptur


Sprog Engelsk


Indbinding Hardback


Sider 362


Udgave


Længde 23mm


Bredde 187mm


Højde 261mm


Udg. Dato 18 jul 2019


Oplagsdato 18 jul 2019

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