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Something Close to Music
Af: Monica de La Torre, John Ashbery Engelsk Paperback
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Something Close to Music
Af: Monica de La Torre, John Ashbery Engelsk Paperback
An intimate and unique collection of the work of John Ashbery—a prolific poet and art critic—pairing poetry and art writings with playlists of music from his personal library.

This book places poetry by Ashbery (1927–2017), gathered from his later collections, in conversation with a selection of contemporaneous art writing. In addition, as Ashbery loved music and listened to it while writing, the “playlists” here present samplings of music from these same years, culled from his own library of recordings. 
 
Ashbery’s poetry is frequently described as ekphrastic, though, rather than writing a poem “based on” or “inspired” by the content of an artwork or piece of music, he engages with how the experience of seeing it and the artistic strategies employed offer ways of thinking about it and through it. Many observations from Ashbery’s art writing also provide keys to how we might read his poetry. Many recordings he listened to feature contemporary classical works that emphasize complex textures, disparate sounds, and disjunct phrases. Ashbery’s poetry similarly plays with a diversity of poetic textures and sudden turns such that a reader might construct multiple narratives or pathways of meaning. He rarely offers linear stories or focuses on evocative descriptions of a scene or object. 
 
In exploring this ekphrastic book project, the reader is invited to discover how, for Ashbery, these three forms might illuminate and inform one another. In Mónica de la Torre’s introduction, she explores the connection between the three muses of music, art, and poetry, and the ekphrastic experience of reading Ashbery.
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An intimate and unique collection of the work of John Ashbery—a prolific poet and art critic—pairing poetry and art writings with playlists of music from his personal library.

This book places poetry by Ashbery (1927–2017), gathered from his later collections, in conversation with a selection of contemporaneous art writing. In addition, as Ashbery loved music and listened to it while writing, the “playlists” here present samplings of music from these same years, culled from his own library of recordings. 
 
Ashbery’s poetry is frequently described as ekphrastic, though, rather than writing a poem “based on” or “inspired” by the content of an artwork or piece of music, he engages with how the experience of seeing it and the artistic strategies employed offer ways of thinking about it and through it. Many observations from Ashbery’s art writing also provide keys to how we might read his poetry. Many recordings he listened to feature contemporary classical works that emphasize complex textures, disparate sounds, and disjunct phrases. Ashbery’s poetry similarly plays with a diversity of poetic textures and sudden turns such that a reader might construct multiple narratives or pathways of meaning. He rarely offers linear stories or focuses on evocative descriptions of a scene or object. 
 
In exploring this ekphrastic book project, the reader is invited to discover how, for Ashbery, these three forms might illuminate and inform one another. In Mónica de la Torre’s introduction, she explores the connection between the three muses of music, art, and poetry, and the ekphrastic experience of reading Ashbery.
Se mere i:
Produktdetaljer
Sprog: Engelsk
Sider: 96
ISBN-13: 9781644230701
Indbinding: Paperback
Udgave:
ISBN-10: 1644230704
Kategori: Kunstteori
Udg. Dato: 12 maj 2022
Længde: 18mm
Bredde: 107mm
Højde: 177mm
Oplagsdato: 12 maj 2022
Forfatter(e) Monica de La Torre, John Ashbery


Kategori Kunstteori


Sprog Engelsk


Indbinding Paperback


Sider 96


Udgave


Længde 18mm


Bredde 107mm


Højde 177mm


Udg. Dato 12 maj 2022


Oplagsdato 12 maj 2022

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