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Sounding Human
Af: Deirdre Loughridge Engelsk Paperback
SPAR
kr 19
Sounding Human
Af: Deirdre Loughridge Engelsk Paperback
An expansive analysis of the relationship between human and machine in music.   From the mid-eighteenth century on, there was a logic at work in musical discourse and practice: human or machine. That discourse defined a boundary of absolute difference between human and machine, with a recurrent practice of parsing “human” musicality from its “merely mechanical” simulations. In Sounding Human, Deirdre Loughridge tests and traverses these boundaries, unmaking the “human or machine” logic and seeking out others, better characterized by conjunctions such as and or with. Sounding Human enters the debate on posthumanism and human-machine relationships in music, exploring how categories of human and machine have been continually renegotiated over the centuries. Loughridge expertly traces this debate from the 1737 invention of what became the first musical android to the creation of a “sound wave instrument” by a British electronic music composer in the 1960s, and the chopped and pitched vocals produced by sampling singers’ voices in modern pop music. From music-generating computer programs to older musical instruments and music notation, Sounding Human shows how machines have always actively shaped the act of music composition. In doing so, Loughridge reveals how musical artifacts have been—or can be—used to help explain and contest what it is to be human.
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An expansive analysis of the relationship between human and machine in music.   From the mid-eighteenth century on, there was a logic at work in musical discourse and practice: human or machine. That discourse defined a boundary of absolute difference between human and machine, with a recurrent practice of parsing “human” musicality from its “merely mechanical” simulations. In Sounding Human, Deirdre Loughridge tests and traverses these boundaries, unmaking the “human or machine” logic and seeking out others, better characterized by conjunctions such as and or with. Sounding Human enters the debate on posthumanism and human-machine relationships in music, exploring how categories of human and machine have been continually renegotiated over the centuries. Loughridge expertly traces this debate from the 1737 invention of what became the first musical android to the creation of a “sound wave instrument” by a British electronic music composer in the 1960s, and the chopped and pitched vocals produced by sampling singers’ voices in modern pop music. From music-generating computer programs to older musical instruments and music notation, Sounding Human shows how machines have always actively shaped the act of music composition. In doing so, Loughridge reveals how musical artifacts have been—or can be—used to help explain and contest what it is to be human.
Produktdetaljer
Sprog: Engelsk
Sider: 256
ISBN-13: 9780226830117
Indbinding: Paperback
Udgave:
ISBN-10: 022683011X
Udg. Dato: 5 jan 2024
Længde: 12mm
Bredde: 152mm
Højde: 228mm
Oplagsdato: 5 jan 2024
Forfatter(e): Deirdre Loughridge
Forfatter(e) Deirdre Loughridge


Kategori Musik: Teori & Videnskab


Sprog Engelsk


Indbinding Paperback


Sider 256


Udgave


Længde 12mm


Bredde 152mm


Højde 228mm

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