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That Half-Barbaric Twang

Af: Karen Linn Engelsk Paperback
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That Half-Barbaric Twang

Af: Karen Linn Engelsk Paperback

Long a symbol of American culture, the banjo actually originated in Africa before European-Americans adopted it. Karen Linn shows how the banjo--despite design innovations and several modernizing agendas--has failed to escape its image as a "half-barbaric" instrument symbolic of antimodernism and sentimentalism. 

Caught in the morass of American racial attitudes and often used to express ambivalence toward modern industrial society, the banjo stood in opposition to the "official" values of rationalism, modernism, and belief in the beneficence of material progress. Linn uses popular literature, visual arts, advertisements, film, performance practices, instrument construction and decoration, and song lyrics to illustrate how notions about the banjo have changed. 

Linn also traces the instrument from its African origins through the 1980s, alternating between themes of urban modernization and rural nostalgia. She examines the banjo fad of bourgeois Northerners during the late nineteenth century; the African-American banjo tradition and the commercially popular cultural image of the southern black banjo player; the banjo''s use in ragtime and early jazz; and the image of the white Southerner and mountaineer as banjo player.

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Long a symbol of American culture, the banjo actually originated in Africa before European-Americans adopted it. Karen Linn shows how the banjo--despite design innovations and several modernizing agendas--has failed to escape its image as a "half-barbaric" instrument symbolic of antimodernism and sentimentalism. 

Caught in the morass of American racial attitudes and often used to express ambivalence toward modern industrial society, the banjo stood in opposition to the "official" values of rationalism, modernism, and belief in the beneficence of material progress. Linn uses popular literature, visual arts, advertisements, film, performance practices, instrument construction and decoration, and song lyrics to illustrate how notions about the banjo have changed. 

Linn also traces the instrument from its African origins through the 1980s, alternating between themes of urban modernization and rural nostalgia. She examines the banjo fad of bourgeois Northerners during the late nineteenth century; the African-American banjo tradition and the commercially popular cultural image of the southern black banjo player; the banjo''s use in ragtime and early jazz; and the image of the white Southerner and mountaineer as banjo player.

Produktdetaljer
Sprog: Engelsk
Sider: 208
ISBN-13: 9780252064333
Indbinding: Paperback
Udgave:
ISBN-10: 025206433X
Kategori: Populærkultur
Udg. Dato: 1 maj 1994
Længde: 20mm
Bredde: 229mm
Højde: 152mm
Forlag: University of Illinois Press
Oplagsdato: 1 maj 1994
Forfatter(e): Karen Linn
Forfatter(e) Karen Linn


Kategori Populærkultur


Sprog Engelsk


Indbinding Paperback


Sider 208


Udgave


Længde 20mm


Bredde 229mm


Højde 152mm


Udg. Dato 1 maj 1994


Oplagsdato 1 maj 1994

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