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The Subject of Film and Race
Af: Gerald Sim, PhD Gerald Sim Engelsk Paperback
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The Subject of Film and Race
Af: Gerald Sim, PhD Gerald Sim Engelsk Paperback
The Subject of Film and Race is the first comprehensive intervention into how film critics and scholars have sought to understand cinema''s relationship to racial ideology. In attempting to do more than merely identify harmful stereotypes, research on ''films and race'' appropriates ideas from post-structuralist theory. But on those platforms, the field takes intellectual and political positions that place its anti-racist efforts at an impasse. While presenting theoretical ideas in an accessible way, Gerald Sim''s historical materialist approach uniquely triangulates well-known work by Edward Said with the Neo-Marxian writing about film by Theodor Adorno and Fredric Jameson. The Subject of Film and Race takes on topics such as identity politics, multiculturalism, multiracial discourse, and cyborg theory, to force film and media studies into rethinking their approach, specifically towards humanism and critical subjectivity. The book illustrates theoretical discussions with a diverse set of familiar films by John Ford, Michael Mann, Todd Solondz, Quentin Tarantino, Keanu Reeves, and others, to show that we must always be aware of capitalist history when thinking about race, ethnicity, and films.
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The Subject of Film and Race is the first comprehensive intervention into how film critics and scholars have sought to understand cinema''s relationship to racial ideology. In attempting to do more than merely identify harmful stereotypes, research on ''films and race'' appropriates ideas from post-structuralist theory. But on those platforms, the field takes intellectual and political positions that place its anti-racist efforts at an impasse. While presenting theoretical ideas in an accessible way, Gerald Sim''s historical materialist approach uniquely triangulates well-known work by Edward Said with the Neo-Marxian writing about film by Theodor Adorno and Fredric Jameson. The Subject of Film and Race takes on topics such as identity politics, multiculturalism, multiracial discourse, and cyborg theory, to force film and media studies into rethinking their approach, specifically towards humanism and critical subjectivity. The book illustrates theoretical discussions with a diverse set of familiar films by John Ford, Michael Mann, Todd Solondz, Quentin Tarantino, Keanu Reeves, and others, to show that we must always be aware of capitalist history when thinking about race, ethnicity, and films.
Produktdetaljer
Sprog: Engelsk
Sider: 240
ISBN-13: 9781623567538
Indbinding: Paperback
Udgave:
ISBN-10: 162356753X
Udg. Dato: 25 sep 2014
Længde: 16mm
Bredde: 229mm
Højde: 152mm
Oplagsdato: 25 sep 2014
Forfatter(e): Gerald Sim, PhD Gerald Sim
Forfatter(e) Gerald Sim, PhD Gerald Sim


Kategori Filmhistorie, teori & kritik


Sprog Engelsk


Indbinding Paperback


Sider 240


Udgave


Længde 16mm


Bredde 229mm


Højde 152mm

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