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More Time
Af: Lee Clark Mitchell Engelsk Hardback
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More Time
Af: Lee Clark Mitchell Engelsk Hardback
More Time studies the contemporary short story and focuses on four recent collections: Alice Munro''s Dear Life (2012); Andre Dubus''s Dancing After Hours (1996); Joy Williams''s The Visiting Privilege (2015); and Lydia Davis''s Can''t and Won''t (2014). Each publication has appeared near the conclusion of a career devoted all but exclusively to short stories, with each defining a ''late style'' honed over a lifetime. As well, each diverges from others in ways that have profoundly shaped our generic conceptions, and collectively they represent the four most innovative practitioners of the past half-century (with the arguable exception of Raymond Carver). Yet in an era when writing programs, The New Yorker, and distinguished journals all promulgate the short story, it remains relatively under-examined as a major literary form. We continue to argue about what a story inherently is, ignoring how differences among practitioners enliven the field. Dubus, Munro, Williams, and Davis each defy critical efforts to identify the story form''s presumed constitution, marked by a supposedly special shape or requisite length or distinct narrative trajectory. And the very contrast among their efforts reveals the expansiveness of the genre, though few have taken such a cross-glancing interpretive approach. This volume opens up discussion, shifting from close analysis into larger speculation about possibilities established by the most innovative writers in their later work.
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More Time studies the contemporary short story and focuses on four recent collections: Alice Munro''s Dear Life (2012); Andre Dubus''s Dancing After Hours (1996); Joy Williams''s The Visiting Privilege (2015); and Lydia Davis''s Can''t and Won''t (2014). Each publication has appeared near the conclusion of a career devoted all but exclusively to short stories, with each defining a ''late style'' honed over a lifetime. As well, each diverges from others in ways that have profoundly shaped our generic conceptions, and collectively they represent the four most innovative practitioners of the past half-century (with the arguable exception of Raymond Carver). Yet in an era when writing programs, The New Yorker, and distinguished journals all promulgate the short story, it remains relatively under-examined as a major literary form. We continue to argue about what a story inherently is, ignoring how differences among practitioners enliven the field. Dubus, Munro, Williams, and Davis each defy critical efforts to identify the story form''s presumed constitution, marked by a supposedly special shape or requisite length or distinct narrative trajectory. And the very contrast among their efforts reveals the expansiveness of the genre, though few have taken such a cross-glancing interpretive approach. This volume opens up discussion, shifting from close analysis into larger speculation about possibilities established by the most innovative writers in their later work.
Produktdetaljer
Sprog: Engelsk
Sider: 224
ISBN-13: 9780198839224
Indbinding: Hardback
Udgave:
ISBN-10: 0198839227
Udg. Dato: 10 apr 2019
Længde: 18mm
Bredde: 224mm
Højde: 142mm
Oplagsdato: 10 apr 2019
Forfatter(e): Lee Clark Mitchell
Forfatter(e) Lee Clark Mitchell


Kategori Litteraturstudier: fra 1900 til 2000


Sprog Engelsk


Indbinding Hardback


Sider 224


Udgave


Længde 18mm


Bredde 224mm


Højde 142mm


Udg. Dato 10 apr 2019


Oplagsdato 10 apr 2019

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