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Shakespeare and the Actor
Af: Lois Potter Engelsk Hardback
SPAR
kr 83
Shakespeare and the Actor
Af: Lois Potter Engelsk Hardback
What is a ''Shakespearean actor''? Does the term still have any meaning? Drawing on the biographical and autobiographical accounts of actors and directors, as well as on interviews with actors from a wide range of backgrounds, this book looks at these questions in a variety of contexts, historical and contemporary. A survey of the training of the classical actor, with its increasing vocal and physical demands, considers how it, like its subsequent career path, is affected by class and gender. There is discussion of the uneasy balance of power between actors and directors, rehearsal practice, the difficulties faced by women as performers and directors, and attempts at undirected productions. Other chapters consider the roles that actors do and don''t want to play, and why, their relation to the Shakespeare text and editorial practice, the complex relationship between actor and audience, and the popularity of anecdotes about things that go wrong. Throughout, examples are taken, as far as possible, from the author''s own long experience of theatregoing. A final chapter looks at new trends in the theatre that have been accelerated by the long period of closure during the pandemic, particularly attempts at greater inclusivity in both actors and audiences. It concludes that the main reason Shakespeare is performed is that actors want to play the roles he wrote.
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What is a ''Shakespearean actor''? Does the term still have any meaning? Drawing on the biographical and autobiographical accounts of actors and directors, as well as on interviews with actors from a wide range of backgrounds, this book looks at these questions in a variety of contexts, historical and contemporary. A survey of the training of the classical actor, with its increasing vocal and physical demands, considers how it, like its subsequent career path, is affected by class and gender. There is discussion of the uneasy balance of power between actors and directors, rehearsal practice, the difficulties faced by women as performers and directors, and attempts at undirected productions. Other chapters consider the roles that actors do and don''t want to play, and why, their relation to the Shakespeare text and editorial practice, the complex relationship between actor and audience, and the popularity of anecdotes about things that go wrong. Throughout, examples are taken, as far as possible, from the author''s own long experience of theatregoing. A final chapter looks at new trends in the theatre that have been accelerated by the long period of closure during the pandemic, particularly attempts at greater inclusivity in both actors and audiences. It concludes that the main reason Shakespeare is performed is that actors want to play the roles he wrote.
Produktdetaljer
Sprog: Engelsk
Sider: 176
ISBN-13: 9780198852612
Indbinding: Hardback
Udgave:
ISBN-10: 0198852614
Udg. Dato: 16 jun 2022
Længde: 15mm
Bredde: 210mm
Højde: 140mm
Oplagsdato: 16 jun 2022
Forfatter(e): Lois Potter
Forfatter(e) Lois Potter


Kategori Teater: instruktion og produktion


Sprog Engelsk


Indbinding Hardback


Sider 176


Udgave


Længde 15mm


Bredde 210mm


Højde 140mm

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